2007Co-Grand Prize
If I recall correctly, I found out about the New Cosmos of Photography contest around the time I met Nanako, which was after I had quit my job at a bank, bought an SLR camera, and started roaming about in search of subjects. Or perhaps it was around the time I had photographed Nanako over several sessions and was beginning to ponder how I might preserve something of these sessions in one form or another.
Nanako has the body of a man but the heart of a woman. She lived for 68 years as a man in a world that was far less understanding of her sexuality than nowadays. She married and raised her children splendidly while toiling away at a railroad company. After work, she would change into a woman's outfit and serve at a tiny restaurant, where she could be her true gender.
Nanako was exceptionally open to me, who pointed my camera at her with undisguised curiosity. “My family and parents don't know I'm a woman, but go ahead. Send your photos into the contest. To be truthful, I rather hope they find out who I really am.”
By coincidence, Nobuyoshi Araki, the judge who selected my work, was the same age as Nanako. I remember well what Mr. Araki said to me. “With an old guy like this, you'd want to sit down and have a beer with him. Because when you capture a life this rich, you're compelled to pursue it even more.”
I took his advice to embellish, as much as I could, those photos that portrayed the subject in good faith. So I displayed these two photos, enlarged, side by side, with Nanako dressed as a man in one and dressed as a woman in the other.
Entries form: Book format, A4 Pictran, 15 prints (excluding cover)
They have power as photographs, but what is most outstanding is the presence of this person. I’d like to have a beer with this dear old man.
Photographs of a life as rich as this hit you hard. When you look at pictures like these, recent trends become irrelevant. After all, we look carefully at things that are right in front of us, and these pictures make you realize that that’s really the only way to do it.
I did feel, however, that the book contained quite a few boring photographs. Their presence dulled the energy that was being generated. I’d like to see her get rid of the unnecessary pictures, and blow up the ones where the subject is directly facing the camera as much as possible.
1982 | Born in Tokyo |
2005 | Graduated from the Department of Child Studies, Faculty of Home Economics, Otsuma Women's University |
2006 | Began a career as a photographer after having worked at a bank |
2007 | A co-Grand Prize winner at the New Cosmos of Photography (selected by Nobuyoshi Araki) for her work Double Life |
2008 | Held a solo exhibition Double Life at Gallery Illum in Seoul |
Published a photo collection Neko no Iru Basho [Where the Cats Are]
Published a series called Shochu de Ikou [Let's Go Out for Shochu] for Takara Shuzo in Shukan Shincho magazine
Appeared on several TV programs including Yunomachi Houroki [Diary of a Hot Springs Wanderer] on BS-TBS
2007Co-Grand Prize