INTERVIEW
about this performance
Shite (protagonist) , the 20th soke (head) of Hoshokai
Kazufusa Hosho
MAKING
GALLERY
Preparation of the Stage
Setting up of the studio, performance meetings, machine tests...
In order to make the first VVS Nohgaku performance a success,
Technicians, producers, designers - the many staff involved gather backstage.
Preparations by the Performers
In a 2 man team, performers put on their Noh costumes, fix their masks, and gaze at themselves in the mirror
Naginata and fan in hand, they grasp a feel of the walking movements,
Cue the fue (transverse flute), kotsuzumi (shoulder-drum), otsuzumi (hip-drum), taiko (stick-drum), hayashi (instrumentalists), and the studio jumps into preparation for the performance.
Entrance of the Shite (protagonist)
The stage this time is not the Nohgakudo we are used to, it is a studio surrounded by green screen backdrops without audience, but
The shite takes one step in, and tension runs throughout the studio.
In the world of professionals, performers can transform any place into their stage.
Co-Starring with Modern Arts
Flutists in suits sit on the Noh stage.
The harmony of hayashi and flutes reverberate throughout the studio, as if to signal the start of a new era of artistic expression.
Borrowing the power of state of the art technology, the oldest Japanese traditional art and Western art co-star on a whole new stage.
New Interpretation of Art
After the end of the tense performance, the performers and staff gather in front of the monitor screens.
Going through the footage captured with volumetric technology, everyone is unable to hide their surprise at this peculiar sight.
Brand new ideas from fresh perspectives, born from the desire to use these new points of view in editing spring forth ceaselessly.
With Canon VVS technology, art gains the freedom of interpretation and comes to life with new vigor.
- 能「葵上」
- シテ 宝生和英
- 地謡 武田孝史
- 木谷哲也
- 笛 杉信太朗
- 小鼓 飯冨孔明
- 大鼓 柿原孝則
- 太鼓 澤田晃良
- 仕舞「熊坂」
- シテ 武田孝史
- 地謡 宝生和英
- 朝倉大輔
- 木谷哲也
- 未来能「序の舞」
- シテ 武田伊左
- 笛 杉信太朗
- 小鼓 飯冨孔明
- 大鼓 柿原孝則
- 太鼓 澤田晃良
- 作曲 佐原洸
- フルート 梶原一紘
- プロデュース
- 中務貴之
- Web
- 中務貴之
- 邵 鵬志
- メイキング
- 平舘平
- Aoinoue
- Kazufusa Hosho
- Takashi Takeda
- Tetsuya Kitani
- Shintaro Sugi
- Yoshiaki Iitomi
- Takanori Kakihara
- Akira Sawada
- Kumasaka
- Takashi Takeda
- Kazufusa Hosho
- Daisuke Asakura
- Tetsuya Kitani
- Future Noh
- Isa Takeda
- Shintaro Sugi
- Yoshiaki Iitomi
- Takanori Kakihara
- Akira Sawada
- Koh Sahara
- Kazuhiro Kajihara
- Produce
- Takayuki Nakatsukasa
- Web
- Takayuki Nakatsukasa
- Pengzhi Shao
- Making
- Taira Tairadate
- ボリュメトリックビデオ制作
- 伊達厚
- 荒谷俊太郎
- 藤田秀
- 橋本貴幸
- 阿達大地
- 3DCG
- 岡田篤史
- 久保井誠
- 今泉公嘉
- 大野祐章
- 持丸歩
- 久保裕明
- 松木愛華
- 先﨑大朗
- 高橋良太
- 宮本紀明
- スタジオ
- キヤノンボリュメトリックビデオ
スタジオ川崎 - 宝生能楽堂(3Dモデル撮影)
- Volumetric Video
- Atsushi Date
- Shuntaro Aratani
- Shu Fujita
- Takayuki Hashimoto
- Daichi Adachi
- 3DCG
- Atsushi Okada
- Makoto Kuboi
- Masayoshi Imaizumi
- Masatoshi Ono
- Ayumi Mochimaru
- Hiroaki Kubo
- Aika Matsuki
- Hiroaki Senzaki
- Ryota Takahashi
- Noriaki Miyamoto
- Studio
- Canon Volmetric
Video Studio Kawasaki - Hosho Noh Theater (3D Models)