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Scenes from The Tale of Genji

Tosa Mitsuyoshi

Scenes from The Tale of Genji exhibition

Scenes from The Tale of Genji

High-resolution facsimiles

Material
printed, gold on washi paper
Period of creation
Tsuzuri Project Stage 9 2015–2016
Recipient
Byodoin Temple

Original

Artist
Tosa Mitsuyoshi
Historical era
Azuchi-Momoyama (16th century)
Material
ink, color, and gold on washi paper
Medium
pair of four-fold screens
Size
Each screen H166.4 × W355.6 cm
Collection
The Metropolitan Museum of Art

Description

This work is assumed to be one of the few pieces undertaken by Tosa Mitsuyoshi on a large folding screen. Mitsuyoshi specialized in works depicting scenes from The Tale of Genji, the renowned masterpiece of court literature. This screen depicts scenes taken from three chapters — Sekiya and Miyuki as well as Ukifune, which is from a section of the book known as the "Ten Chapters of Uji." In the lower left of the screen on the left is a description from an appraiser in 1692. It indicates that part of this work was retouched by Mitsuoki, a grandson of Mitsuyoshi, who became known as a founder of the Tosa School. Because it indicates a connection to the Tosa School, this information adds significant value to the artwork. Notably, the Seikado Bunko Art Museum has in its collection an artwork by Tawaraya Sotatsu titled "Folding Screen of Sekiya and Miotsukushi." Designated a national treasure, this work is thought by some to have been modeled on Mitsuyoshi's screen paintings because of its similar composition and subject matter. Much interesting discussion focuses on the question of Mitsuyoshi's influence as a leading painter inspired by The Tale of Genji.

How the Works Are Created

How the Works Are Created

This section introduces the production process of high resolution facsimiles by combining Canon’s latest imaging technology and the authentic craftsmanship of Kyoto in the Tsuzuri Project.

About the Tsuzuri Project

About the Tsuzuri Project

This section shares the significance and passion behind the Tsuzuri Project and how we utilize the high resolution facsimiles of precious cultural assets, which are designated as national treasures and important cultural assets, and Japanese artworks that have left Japan.