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Birds, Animals, and Plants Representing the Twelve Months

Katsushika Hokusai

Birds, Animals, and Plants Representing the Twelve Months exhibition

Birds, Animals, and Plants Representing the Twelve Months

High-resolution facsimiles

Material
printed on washi paper
Period of creation
Tsuzuri Project Stage 12 2018–2019
Recipient
The Sumida Hokusai Museum(Sumida Ward)

Original

Artist
Katsushika Hokusai
Historical era
Edo (19th century)
Material
ink, color on paper
Medium
Pair of six-fold screens
Size
Each 1st and 6th panel H146.4 × W51.8 cm
Each 2nd-5th panel H146.4 × W56.5 cm
Collection
Smithsonian's National Museum of Asian Art

Description

These 12 panels with Oshi-e bari (paintings mounted on screens) are composed of a pair of six-panel folding screens vividly depicting birds, animals, and plants of the four seasons. Although the title of the painting itself is based on the title of a collection of waka poems (Waka Poems on Birds and Flowers) by Fujiwara no Teika (1162–1241), a poet of the Heian period, the motifs of the months are independent of the then-standard patterns. Hokusai selected the motifs according to his own interpretations. Looking at each one beginning with the first panel of the row of panels on the right, we find a crane perched on a snowy willow, fish swimming in a pond with the sagging branches of a cherry dipping into it, a fox looking up at bats, a little cuckoo flying over irises, tortoises swimming through freshwater algae, and an egret standing by sacred lotuses. On the left-hand row of panels, beginning with the extreme right, we see a chicken looking up at a kudzu vine, buntings perched on a gardenia, chrysanthemums and geese, a pheasant perched on a red-leaved branch, wild geese flying down onto thistles, and lastly puppies playing with each other under a tub. This is one of the original paintings bought in 1904 by Charles Lang Freer, together with Six Tama Rivers and others, from Homma Kozo of the Homma family, who were wealthy merchants from Sakata, Yamagata Prefecture, via the Japanese fine art dealer Kobayashi Bunshichi.

How the Works Are Created

How the Works Are Created

This section introduces the production process of high resolution facsimiles by combining Canon’s latest imaging technology and the authentic craftsmanship of Kyoto in the Tsuzuri Project.

About the Tsuzuri Project

About the Tsuzuri Project

This section shares the significance and passion behind the Tsuzuri Project and how we utilize the high resolution facsimiles of precious cultural assets, which are designated as national treasures and important cultural assets, and Japanese artworks that have left Japan.