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Egrets in Plum and Willow

Sesson Shukei

Egrets in Plum and Willow exhibition

Egrets in Plum and Willow

High-resolution facsimile

Material
printed on washi paper
Period of creation
Tsuzuri Project Stage 18 2025–2026
Recipient
Fukushima Prefecture

Original

Artist
Sesson Shukei
Historical era
Muromachi (16th Century)
Material
ink on paper
Medium
Pair of six-fold screens
Size
Each screen H156.6 × W342.8 cm
Collection
Minneapolis Institute of Art

Description

Sesson Shukei (dates unknown) was a painter-monk active primarily in eastern Japan during the turbulent Sengoku period. Although much of his life remains shrouded in mystery, he is believed to have been born into a branch of the Satake clan, the warlords of Hitachi Province (around present-day Ibaraki Prefecture). Over the course of his more than eighty-year life, he traveled widely throughout the Tōhoku and Kantō regions, producing an exceptionally diverse range of works.

Celebrated as a forerunner of the so-called “eccentric” painters, Sesson's highly imaginative and unconventional style has long been admired both in Japan and abroad, and many of his paintings found their way overseas at an early date. Among them, this pair of six-panel screens stands as the centerpiece of Sesson works preserved in the United States.

On the right screen, eight white egrets gather around a blossoming white plum under the moonlit sky, their gazes directed toward two enormous carp below. The left screen presents a contrasting scene at dawn: white egrets and swallows circle vigorously around a willow tree, enveloped in morning mist. Based on the seals impressed within the composition, the work is believed to date from around Sesson's seventies, during the height of his mature period. It powerfully reflects the sharp observation of nature and inventive conception he cultivated while journeying through the war-torn world of his age.

How the Works Are Created

How the Works Are Created

This section introduces the production process of high resolution facsimiles by combining Canon’s latest imaging technology and the authentic craftsmanship of Kyoto in the Tsuzuri Project.

About the Tsuzuri Project

About the Tsuzuri Project

This section shares the significance and passion behind the Tsuzuri Project and how we utilize the high resolution facsimiles of precious cultural assets, which are designated as national treasures and important cultural assets, and Japanese artworks that have left Japan.