WORKS
72

Maple leaves on a stream (front); mountain views (reverse)

Ikeda Koson

Maple leaves on a stream (front) exhibition
mountain views (reverse) exhibition

Maple leaves on a stream (front); mountain views (reverse)

High-resolution facsimiles

Material
printed, gold on washi paper(front)
printed on washi paper(reverse)
Period of creation
Tsuzuri Project Stage 16 2023—2024
Recipient
Agano City (Collaborator for utilization: Niigata City)

Original

Artist
Ikeda Koson
Historical era
Edo (19th century)
Material
Ink, color, and gold on washi paper(front)
ink on washi paper(reverse)
Medium
Pair of six-fold screens
Size
Each screen H166.3 × W343.2 cm
Collection
Smithsonian's National Museum of Asian Art

Description

Ikeda Koson, whose hometown is believed to be near Suibara in Echigo Province (currently the city of Agano in Niigata Prefecture), studied under Sakai Hōitsu, who established the Edo Rinpa school, and was active toward the end of the Edo period as a leading disciple alongside Suzuki Kiitsu, his senior disciple.
This double-sided folding screen piece is a masterpiece by Koson. On the front side is a vibrant world in which an ultramarine river flows between autumn leaves and autumn flowers, with gold boldly applied in the background. In contrast, on the rear side is a waterside scene with a mountain range in the background, painted in monochrome ink wash. From the note written on the box, believed to have been written by the artist himself, it is revealed that Koson painted this work in his home in Hisamatsuchō in Ryōgoku, where he lived from his late 40s to the year of his death; and from the signature and inscription on the front and back, it is revealed that this work was completed while Koson was in his 50s, at the height of his powers, with the autumn leaves and stream painting being completed in 1856 and the mountain and water painting being completed in 1858.

How the Works Are Created

How the Works Are Created

This section introduces the production process of high resolution facsimiles by combining Canon’s latest imaging technology and the authentic craftsmanship of Kyoto in the Tsuzuri Project.

About the Tsuzuri Project

About the Tsuzuri Project

This section shares the significance and passion behind the Tsuzuri Project and how we utilize the high resolution facsimiles of precious cultural assets, which are designated as national treasures and important cultural assets, and Japanese artworks that have left Japan.