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Arrival of the Southern Barbarians

Arrival of the Southern Barbarians exhibition

Arrival of the Southern Barbarians

High-resolution facsimiles

Material
printed, gold on washi paper
Period of creation
Tsuzuri Project Stage 17 2024–2025
Recipient
Nagasaki Prefecture

Original

Historical era
Momoyama (Eary 17th Century)
Material
Ink, color, and gold on paper
Medium
Pair of six-fold screens
Size
Each screen H146.7 × W337.2 cm
Collection
Cleveland Museum of Art

Description

Nanban, or ""Southern Barbarians"", screens, created from the late 16th to the early 17th century, depict the foreign people and cultures that arrived from Europe, particularly the Portuguese. The term Nanban comes from the fact that the people came across the ocean from the south, and had manners and customs considered unusual in Japan.
In this work, the left screen shows the arrival of a Portuguese ship and the unloading of trade goods, while the right screen depicts a procession of foreigners heading to a Christian monastery, observed with great interest by the Japanese. Compared to other Nanban screens, this work stands out for its diverse representation of figures and the dramatic expression of the waves.
This pair of screens was once a treasured possession of Nagami Tokutaro (1890–1950), a wealthy merchant from Nagasaki and a well-known collector of Nanban art. However, it is believed to have been sold around 1934. After a tumultuous journey, the screens eventually crossed the sea and are now housed in the Cleveland Museum of Art.

How the Works Are Created

How the Works Are Created

This section introduces the production process of high resolution facsimiles by combining Canon’s latest imaging technology and the authentic craftsmanship of Kyoto in the Tsuzuri Project.

About the Tsuzuri Project

About the Tsuzuri Project

This section shares the significance and passion behind the Tsuzuri Project and how we utilize the high resolution facsimiles of precious cultural assets, which are designated as national treasures and important cultural assets, and Japanese artworks that have left Japan.