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Portrait of a Courtesan Walking

Katsushika Hokusai

Portrait of a Courtesan Walking exhibition

Portrait of a Courtesan Walking

High-resolution facsimiles

Material
printed on silk
Period of creation
Tsuzuri Project Stage 12 2018–2019
Recipient
The Sumida Hokusai Museum(Sumida Ward)

Original

Artist
Katsushika Hokusai
Historical era
Edo (19th century)
Material
ink, color on silk
Medium
hanging scroll
Size
H110.4 × W41.8 cm
Collection
Smithsonian's National Museum of Asian Art

Description

This is a picture of an oiran (a geisha courtesan) dressed glamorously in a gorgeous kimono and hair ornaments, out walking in her district to go around making New Year greetings, while holding the hem of her kimono. In the Yoshiwara district of Edo (today's Tokyo), which was a red light district authorized by the Tokugawa Shogunate, there was a custom called shikise bi, where on the first and second days of the New Year each brothel presented a short-sleeved kimono to each of its courtesans according to their respective grades. Tradition has it that they would wear them and go around to tea houses and other facilities to give New Year greetings. The way they would walk on such days was called hachi monji (“figure of eight”). As the picture indicates, oiran courtesans would raise their wooden geta sandals high and step forward slowly as if to draw an arc by moving the tips of their feet around. From the signature “Zen Hokusai Taito” applied to it, we know that Hokusai produced this picture when he was in his fifties.

How the Works Are Created

How the Works Are Created

This section introduces the production process of high resolution facsimiles by combining Canon’s latest imaging technology and the authentic craftsmanship of Kyoto in the Tsuzuri Project.

About the Tsuzuri Project

About the Tsuzuri Project

This section shares the significance and passion behind the Tsuzuri Project and how we utilize the high resolution facsimiles of precious cultural assets, which are designated as national treasures and important cultural assets, and Japanese artworks that have left Japan.