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Scenes in and around Kyoto, Uesugi version

Kano Eitoku

Scenes in and around Kyoto, Uesugi version exhibition

Scenes in and around Kyoto, Uesugi version

High-resolution facsimiles

Material
printed, gold on washi paper
Period of creation
Tsuzuri Project Stage 1 2007–2008
Recipient
Yonezawa City Uesugi Museum(Yonezawa City)

Original

Cultural property designation
National Treasure
Artist
Kano Eitoku
Historical era
Azuchi-Momoyama (16th century)
Material
ink, color and gold on washi paper
Medium
Pair of six-fold screens
Size
Each screen H159.2 × W361.8 cm
Collection
Yonezawa City Uesugi Museum

Description

It is said that this painting was done when Eitoku was 23. Among the various stories surrounding its creation, it is best known as being a gift from Oda Nobunaga to Uesugi Kenshin. The right screen (shown below) shows the Shimogyo (lower capital) area, including the Imperial Palace, Kiyomizudera, and Toji, with the bustling Gion festival taking place in the center. The left screen shows the scenery of the Kamigyo area (upper capital), with large depictions of the Kubo and Hosokawa residences. A total of 2,485 people from all ranks of life, including priests, laity, nobility, soldiers, and commoners appear throughout the two screens. Together as a pair, the work captures the liveliness of the scene so well that one might be fooled into noticing the sounds and conversations of the individuals within. This work is a masterpiece in terms of both the works by Eitoku that still exist, and of the countless works that depict scenes in and around Kyoto.

How the Works Are Created

How the Works Are Created

This section introduces the production process of high resolution facsimiles by combining Canon’s latest imaging technology and the authentic craftsmanship of Kyoto in the Tsuzuri Project.

About the Tsuzuri Project

About the Tsuzuri Project

This section shares the significance and passion behind the Tsuzuri Project and how we utilize the high resolution facsimiles of precious cultural assets, which are designated as national treasures and important cultural assets, and Japanese artworks that have left Japan.