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Spring and Autumn Landscapes

Urakami Shunkin

Spring and Autumn Landscapes exhibition

Spring and Autumn Landscapes

High-resolution facsimile

Material
printed on silk
Period of creation
Tsuzuri Project Stage 18 2025–2026
Recipient
Okayama Prefectural Museum of Art

Original

Artist
Urakami Shunkin
Historical era
Edo (19th Century)
Material
ink, light color on silk
Medium
Pair of six-fold screens
Size
Each screen H178.4 × W370.2 cm
Collection
Minneapolis Institute of Art

Description

Urakami Shunkin (1779–1846) was born in Bizen Province (present-day Okayama Prefecture) as the eldest son of Urakami Gyokudō (1745–1820), one of the leading literati painters of the late Edo period. Immersed in poetry and painting from childhood, Shunkin continued to refine his artistic practice after relocating to Kyoto in his thirties, eventually gaining wide recognition as a prominent literati painter.

This pair of screens is regarded as one of Shunkin's masterworks. The signature indicates that it was created in 1821, the year after his father's death, when the artist was forty-three. Surviving examples of screen paintings by Shunkin are exceedingly rare, and the use of high-quality silk further suggests that the work was produced under special circumstances, possibly on commission from a member of the upper class.

Each screen bears an inscription composed by Shunkin himself. The right screen celebrates the atmosphere of early spring—when leaves begin to unfurl, apricot and peach blossoms open, and the listener savors the season by attuning to birdsong. The left screen, by contrast, evokes late autumn: a solitary traveler moves along a mountain path as fallen leaves scatter in the west wind, and the vivid red of the setting sun piercing the valley is etched into his gaze. The poetic sentiments of these inscriptions resonate with the figures of refined scholars placed along the edges of each screen, drawing the viewer into the depths of the painted landscapes and shaping a world that interweaves seasonal transition with the quiet emotion of travel—an expression uniquely characteristic of Shunkin.

How the Works Are Created

How the Works Are Created

This section introduces the production process of high resolution facsimiles by combining Canon’s latest imaging technology and the authentic craftsmanship of Kyoto in the Tsuzuri Project.

About the Tsuzuri Project

About the Tsuzuri Project

This section shares the significance and passion behind the Tsuzuri Project and how we utilize the high resolution facsimiles of precious cultural assets, which are designated as national treasures and important cultural assets, and Japanese artworks that have left Japan.