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Six Tama Rivers

Katsushika Hokusai

Six Tama Rivers exhibition

Six Tama Rivers

High-resolution facsimiles

Material
printed, sprinkled gold on washi paper
Period of creation
Tsuzuri Project Stage 12 2018–2019
Recipient
The Sumida Hokusai Museum(Sumida Ward)

Original

Artist
Katsushika Hokusai
Historical era
Edo (19th century)
Material
ink, color, and sprinkled gold on paper
Medium
Pair of six-fold screens
Size
Each panel H131.9 × W47.8 cm
Collection
Smithsonian's National Museum of Asian Art

Description

From the signature and seal he put on the painting of a lumberjack depicted, we know that Hokusai painted this work at the age of 74. Of all the works collected by Honma Kozo, a member of wealthy merchant family in Sakata, Yamagata Prefecture, that Charles Lang Freer obtained via the Japanese fine art dealer Kobayashi Bunshichi, this was the work that attracted Freer most, and he praised it as “a genuine masterpiece.” Referring to what are called the Six Tamagawa Rivers, Six Tama Rivers is a generic name for the six rivers named “Tama” mentioned in ancient poems (in Kyoto, Osaka, Wakayama, Shiga, Tokyo, and Miyagi). The original that we have today presents six picture panels of scenery in one row, while the other row depicts six themes including waka poets. However, it is known that the original version consisted of six sets, each composed of one picture showing a person and another showing scenery, and that each set depicted one of the Six Tama Rivers. In producing the reproductions that you see here, we reproduced the original arrangement.

How the Works Are Created

How the Works Are Created

This section introduces the production process of high resolution facsimiles by combining Canon’s latest imaging technology and the authentic craftsmanship of Kyoto in the Tsuzuri Project.

About the Tsuzuri Project

About the Tsuzuri Project

This section shares the significance and passion behind the Tsuzuri Project and how we utilize the high resolution facsimiles of precious cultural assets, which are designated as national treasures and important cultural assets, and Japanese artworks that have left Japan.