Canon

About the Works

A Game of Go, from the Four Accomplishments

Kano school

  • 「A Game of Go, from the Four Accomplishments」 Kano school

A Game of Go, from the Four Accomplishments, Seattle Art Museum Gift of Carmen Christensen, 92.33.1-4

These images are based on the high resolution facsimile produced by the Tsuzuri Project. Unauthorized copying, duplication, or transfer of these images is strictly prohibited.

DATA
Artist:
Kano school
Historical era:
Azuchi-Momoyama (Early 16th century)
Material:
Printed on washi, with gold leaf applied
Medium:
Four sliding doors
Theme:
High Resolution Facsimile of Japanese Art Abroad
Size:
Each door 174.0 x 139.7 cm (L x W)
Recipient:
Hanazono UniversityMAP
[Original]
Current owner:
Seattle Art Museum
Material:
Ink,color,and gold on paper
DESCRIPTION

These four sliding doors are part of a collection of 71 doors originally housed in the abbot's chamber at Ryoan-ji Temple. About 70 years ago, Ryoan-ji was in dire economic condition after the government confiscated much of its property during the movement to abolish Buddhism from Japan. The doors were sold to Ito Denemon, a coal mining mogul from Fukuoka prefecture. Ito kept the sliding doors in his residence, known as the Akagane Palace which later burned down in a fire caused by an electrical leakage. Luckily, the doors were kept in the priests' living quarters and survived this disaster. The incident led to the second relinquishment of these doors. No information exists as to what happened to the doors between 1951 and 1952. Only 21 are known to exist today: four doors depicting Liezi Rides the Wind, owned by the Metropolitan Museum of Art (purchased approximately 15 years ago and includes depictions of ancient Chinese people drawn on the reverse side); the four doors shown here, A Game of Go, from the Four Accomplishments, owned by the Seattle Art Museum; and nine doors depicting Basho, owned by Robert Sowers, a British arts dealer (purchased from an antique art dealer in Kyoto about 12 years ago). If one considers the time at which these doors were housed in Ryoan-ji, contrast between the simplicity of a dry landscape rock garden and the Kano school artist's dazzling use of brilliant colors on gold background become observable. These aspects can be considered representative of typical Zen culture.

About the Works